Black can be a continuous field, an outline, or a pause inside a busy pattern. These three archive photographs from Milan show different ways of putting it to work. They are individual looks, not a claim that two collections shared one intention.

01 / Openings make a drawing

In the Roberto Cavalli Fall/Winter 2022 image above, the long black dress is interrupted around the upper chest. Straps and bright metal rings make the interruptions legible; a dark flower adds another kind of surface. The interest comes from the relationship between covered and uncovered areas as much as from the dress’s outer silhouette.

Notice how far your eye travels before returning to the central detail. This is a useful alternative to treating an all-black outfit as a single undifferentiated block.

02 / Black anchors the pattern

Mathilde Henning on the Roberto Cavalli Fall/Winter 2022 runway, Milan, 23 February 2022. Archive photograph.
Mathilde Henning on the Roberto Cavalli Fall/Winter 2022 runway, Milan, 23 February 2022. Archive photograph. Photograph: Christopher Macsurak. Source · CC BY 2.0. Resized and converted to WebP; uncropped.

In the second Cavalli photograph, mustard, tan and dark markings spread across the outer pieces. The black centre provides a quieter area, while the gathered top and its ring fastening keep that area from disappearing. Our reading is that the unpatterned section gives the surrounding pattern something to push against.

To borrow the principle, place a strong print over a plain inner layer and compare it with a printed inner layer. The exercise is about the amount of visual interruption, not copying this particular runway outfit.

03 / Pockets divide a surface

Max Mara Fall/Winter 2019 at Bocconi University, Milan, 21 February 2019. Archive photograph.
Max Mara Fall/Winter 2019 at Bocconi University, Milan, 21 February 2019. Archive photograph. Photograph: Christopher Macsurak. Source · CC BY-SA 4.0. Resized and converted to WebP; uncropped.

The Max Mara Fall/Winter 2019 photograph offers another solution. Large patch pockets divide the dark front into clear sections. Their smoother surfaces contrast with the surrounding texture, and the reflective boots create a separate lower block. An outfit can stay within a narrow colour range while carrying several distinct levels of shine.

What the photographs can tell us

These are observations about visible shape, colour and surface. They do not establish fibre content, comfort or the way the garments behave across a full walk. Each photograph retains its collection date and source so the archive remains useful as an archive.

Sources & further looking

Image record — Roberto Cavalli, Lulu Tenney, FW22Image record — Roberto Cavalli, Mathilde Henning, FW22Image record — Max Mara FW19

Historical, material and collection references are linked above. Styling exercises and interpretations are our editorial suggestions.